

The Exquisite Xiao Ying pot is finally back here! This time crafted by our self-sacrificial and hardworking Craftsman Chen Fa Chu! It originates from the Ming Dynasty, and in the 1970s was modified by legendary Gu Jing Zhou, the shape of which lasted till today as the definitive most beautiful Xiao Ying. It served as a ZiSha gift for the government to provide for foreign dignitaries. The Body's top and bottom sections both sport the amazing convex and concave curves ending in the bottom plate and the top opening plate for the lid to sit on: these two sections tests the Craftsman in his or her patting skills. The spout's base has a wide lumen allowing a strong and voluminous pull, and then pushes out through the sharper opening. The spout is a great beauty by itself, which demands a lot of time and skill to perfect, sometimes taking as much as a day to just get it right to be fitted onto the body! The adjoining part to the body must also be dligently sculpted so that the whole ZiSha pot looks absolutely cohesive and balanced: spout, body, lid and handle. Indeed a very demanding Austere ZiSha GREAT!!! The handle's design renders it delightful ergonomics during use. You have to handle it to understand how the whole pot sits on your lifting and pouring hand.
DO not miss this Xiao Ying, an extremely treasured ZiSha work by Craftsman Chen Fa Chu. An extremely testing model for all Craftsmen and Artists alike to craft. Admire, appreciate and savour Xiao Ying in its aesthetic and ergonomic magnificence on your tea table.
Craftsman Chen Fa Chu thanks you friends deeply for your grandest support to the honest and dedicated Craftsladies and Craftsmen here left to fend the Fully-Handmade ZiSha Art.
The Stalwart, dedicated to the cause, Craftsman Chen Fa Chu is grateful to all of you friends for embracing his hard work. Enjoy his superb, classic handwork here and let his work accompany you on your tea journey!
BRING ONE HOME, USE IT and you will know all about Fully-Handmade ZiSha, the feel of real and quality YiXing ZiSha, the nurturing of Patina, how the true Patina feels and looks like, the Aura exuded from a Fully-Handmade Pot which others simply can't bring forth, and, Craftsman Chen Fa Chu's skills, savour the pour. You will know everything then.
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Explained, https://www.realzisha.com/blogs/news/actual-zisha-landscape-at-yixing , the Craftsman by selling his hard-worked ZiSha craft at $190-$240, $45-$65 goes to the cost of the craft, inclusive of the fees for the firing for the kiln operator (three times per pot), the packaging boxes, and between $32 to $52 for the clay (Zi Ni Di Cao Qing, Duan Ni and upwards) used per pot. Craftsman takes 3 days (fastest 2.5days) to craft a pot. Out of 12 pots he makes a month of 30days, 9 pots will survive the kiln firing successfully. Out of 9 pots, a Craftsman on average sells 7 pots per month. For ZiSha models/designs that are very challenging and more complicated to craft, time taken will be longer, and the failure rate will be higher as well. Zhu Ni pots have higher failure rates than Zi Ni and Duan Ni pots too. Our Craftsmen are crazily committed to the cause of Fully-Handmade ZiSha Art and their strictness with their craft and dedication earn our respect. We give a big Thank You all of these Craftsmen, for they are saving what is our common precious tea culture: Tea + Fully-Handmade ZiSha Art and Craft.
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Very nice and usable teapot, fully handmade and pouring is excelletn
I would like to say thank you to Yi-Lei and Ian for making my delivery smooth and worry-free. This Shui Ping is exactly as described on the website, so of course, hats off to Craftsman Li Qui Lin for this beautifully made teapot.
My wife and I will definitely buy more from RealZisha.
I just received this stunning teapot, and the craftsmanship is flawless.
The clay has such a rich, warm tone and a gorgeous natural texture that I already know is going to season beautifully over time. The lines of the classic Rong Tian shape are perfectly balanced—it feels substantial yet completely natural and comfortable in the hand. The lid fit is seamless, and the pour is remarkably smooth and steady.
It's a perfect blend of tradition and functional artistry, and I can't wait to see how the clay evolves with every session.