"霁月光风“
This verse is from the Song Dynasty, Poet Chen Liang 陈亮。The original meaning described the clarity and bright landscape after the snowstorm and rains have stopped, and with the luminous moon and gentle breeze interweaving. The idiom comes from Chen Liang's "谢罗尚书启示“. It is extended to describe one's upright character and open-mindedness.
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Engraving by, Craftsman Yi De Shu 一德书。
《颜韵》~ "Yan Yun"
A superb small volume Zhu Ni creation showcasing beauty in spades. All in such a small form! THANK YOU CRAFTSMAN ZHAI !
The lid~the Spout~the Handle~the Main Body~One can start admiring and appreciating this lovely ZiSha work from whichever part you wish to first, but from a metre away, you would notice its beauty, observe the cohesion in whole and let it sink in first into your mind.
The spout is most amazing, with its form so exquisitely defined, sharp and smart. The spout's base is critical to its function and aesthetic beauty as well, and it speaks of the wisdom in designing this to perfection. Craftsman Zhai tells us that, he knows that this pot being of small volume, with a slender and more upright body: the spout would have to be slim and slender as well.
However, he intelligently designed and crafted in a spout base that is just slightly engorged, 1) which enables the pooling in of more tea water en route to jetting outwards, and 2) which enables the inner pushed-in-filter to be wider in area to catch more tea water! This slightly engorgement, is perfected such that aesthetically it rhymes in with the vase-like theme of the body. We know what your intentions are, Craftsman Zhai, and appreciate it! A beautiful slender, upright Xiao Mei Yao Zhu Ni class work to adorn our tea table and bring delight during the use of it in our daily life! Craftsman Zhai is happy to be able to bring this to fruition and hereby presents this beautiful Yan Yun to you.
The lid knob is naturally a miniature version of the whole pot, and the handle's curve reflects the body's theme as well.
Craftsman Zhai had also conscientiously sculpted in the 手推内球孔 Hand-Pushed Spherical Filter to increase the number of filter holes for a solid and fast pour of tea out, working with the largish diameter spout; and with better catching of tea leaves at the bottom fast while allowing tea to flow out from the upper holes.)
TRULY FULLY-HANDMADE AND DELICATELY MADE.
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Note on our TRUE Fully-Handmade Zhu Ni pots from RealZiSha: NOT those thick-/irregular-thickness-walled ones which are actually fake "Fully-handmade ZhuNi pots" utilising the cheating new technology: "车一刀 Che Yi Dao": Such ZhuNi pots utilizing Che Yi Dao process, have been sprouting up in the market since early 2022. Che Yi Dao involves a swivelling-rotational cutter that goes around a roughly-finished ZhuNi pot to cut the outer surface into a perfect shape. This cutter obliviates the need of accomplished skill of a true Fully-Handmaking Craftsman. Obviously, Che Yi Dao also absolves the need of a skilled FHM Craftsman to 1)pound the slab into a careful thin-slab, 2)paddle-pat the slab into a uniform shape purely manually.
In the utilisation of Che Yi Dao cutter, the worker will just need to 1) roughly pound the slab into a slightly thicker slab. After that the worker rounds up this slab as part of the main body, and will just 2)need to ROUGHLY paddle-pat it into shape. After which he sets up the Che Yi Dao cutter to revolve and cut the body into a perfect shape.
Of course, rest assured here, and avoid the ubiquitous fake jigger-machined fake "Xiao Mei Yao Zhu Ni", "Zhao Zhuang Zhu Ni", "Zhu Ni Da Hong Pao", etc pots all around sold in a multitude of places, sites, platforms, apps.
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We truly admire Craftsman Zhai Yi Yao's guile to bring his skills all to us. Let us all help him along and adopt his works as well. Kind and diligent, we all love Craftsman Zhai. He thanks you dearest Friends for your kindest support of his Art!
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BRING ONE HOME, USE IT and you will know all about Fully-Handmade ZiSha, the feel of real and quality YiXing ZiSha, the nurturing of Patina, how the true Patina feels and looks like, the Aura exuded from a Fully-Handmade Pot which others simply can't bring forth, and, Craftsman Zhai Yi Yao's skills, savour the pour. You will know everything then.
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Here with us in our happy family of true ZiSha connoisseurs, you witness 90-120 photos taken of EACH Fully-Handmade ZiSha work here.
Compare this to elsewhere: factory bosses of jigger-machining non-zisha pots contribute downstream to their retailers: 5-10 stock photos for each non-zisha pot model, used to sell a stock of 10, 20, 30 jigger-machined non-zisha pots per model. I.e. 5-10 photos to sell hundreds of one model.
We at RealZiSha, take 90-120 photos, fresh, of EACH, ONE, Fully-Handmade ZiSha work. Together with our sacrificial and hardworking Craftsmen and Artists committed to honest true Fully-Handmade ZiSha Art and Craft, we at RealZiSha go the eons' distance.
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Explained, https://www.realzisha.com/blogs/news/actual-zisha-landscape-at-yixing , the Craftsman by selling his hard-worked ZiSha craft at $190-$240, $45-$65 goes to the cost of the craft, inclusive of the fees for the firing for the kiln operator (three times per pot), the packaging boxes, and between $32 to $52 for the clay (Zi Ni Di Cao Qing, Duan Ni and upwards) used per pot. Craftsman takes 3 days (fastest 2.5days) to craft a pot.
If he works 30 days a month without a single day of rest (no family time), he will craft 10-12 pots.
If he crafts for 25 days (five days of rest a month), his output will be 8-10 pots.
The success rate for Zi Ni (e.g. Di Cao Qing, Lao Zi Ni, Da Shui Tan etc) and Duan Ni (e.g. Jiang Po Ni, Qing Hui Duan, etc) is 70% on average. Some times the whole batch of 10 may fail. We have seen our Craftsmen suffer like this very often.
The success rate for Zhu Ni (e.g. Xiao Mei Yao Zhu Ni) pots is 60%, or 70% with most optimism and at the very, very best. Unfortunately.
All of us at RealZiSha of course, hope for one another, professional colleagues and all, that all the pots will survive firing at the kiln successfully.
[For ZiSha models/designs that are very challenging and more complicated to craft, the time taken to craft will be longer, and the failure rate will be higher as well. Zi Sha by its virtue, have the highest shrinkage rate of all ceramic clay. Zi Ni and Duan Ni thus have that 70% success rate, while Zhu Ni has even higher shrinkage rate and thus even lower success rate (the lowest of all ceramic clay.)]
Our Craftsmen are wholeheartedly committed to the cause of Fully-Handmade ZiSha Art and their strictness with their craft and dedication earn our respect. We give a big Thank You all of these Craftsmen, for they are saving what is our common precious tea culture: Tea + Fully-Handmade ZiSha Art and Craft. Your support is critical to their livelihood and the existence of this craft for all of the tea fraternity.
Thank you Friends!
