

Thank you for appreciating this latest hard work and successful pot out from the kiln!!! Fully-Handmade, by our new and invited collaborative Craftsman Zhang Jiao 张佼, utilising Lao Zi Ni 老紫泥, size/volume of 168.8ml.
This is a challenging and high difficulty Austere pot to craft.
Zhang Jiao 张佼 has done it for all of us, perfectly.
This pot has the discontinuous and roughly horizontal marks in the inner walls, and these are called the: 泥凳纹 Ni Deng Wen, which are the marks left on the clay slab , complementary to the marks on the workbench of the Craftsman Zhang Jiao!!!🙇♂️🤗🎋 During the making of FHM ZiSha pots, the Craftsman will be using tools to cut the clay slabs, etc, and these leave marks on the studio workbench. Especially the first major forceful cut across the table to delineate the clay she/he wants to utilize to form the main body of the body. Thus when the craftsman subsequently pound the clay slab on a well-worn workbench which bear these cut-in marks, these marks will be etched complementarily onto the clay slab! Thus you are "enjoying" the additional natural hallmarks of a Fully-Handmade pot. (For example, a partially handmade pot will not show these marks). And for those Jigger-machined pots, what they manifest are CONCENTRIC, continuous circular lines, all parallel to one another.
I love this custom made BenShan LuNi teapot that was handcrafted by the Artist Zhang, Ke. I owe many BenShan LuNi clay teapots, this is by far one of the best BenShan LuNi I’ve ever seen. The craft skills are beatable. I highly recommend this artist.
First time purchasing a bigger teapot. This one is for my daily morning brew of tea. Very thick and robust. The lid also stays in place when pouring making it easy to use without thinking it might fall and break.
I’m becoming pleasantly acquainted with my new fang gu pot. It is a nice handmade pot and I’m looking forward to adding another to my collection in the near future.
I am delighted by this adorable pot. Communication with Ian has been excellent, shipping was fast and efficient.
At first, I was afraid of the 200 ml volume would make the piece too large or impractical to use other than as a mere statement piece, but the craftsmanship is so refined and well thought that I hardly notice the size anymore. It is very easy to use, and I now find the pot most adorable and not in the least intimidating.
Clay is superb, with a deep presence and a tactile feel but the precise design and high firing almost give the impression of holding a piece made of metal, both light and dense.
The clay carving is mesmerizing and I never get tired to gaze at it with all its minute details and subtle colours.
The brews I get are rich and thick ; the pot works very well with all kinds of tea, but even more convincingly with young sheng pu'erh.
Congratulation to master Li for her magnificent work and many thanks for providing us with the privilege of using such a great pot !
This Teapot is absolutely stunning and exactly what I was looking for in everyday! Thank You so much for sourcing this artwork. Will be a lifelong piece for tea for years to come!