172.3ml.
~ suitable for our tea sessions for one to three persons.
TRULY FULLY-HANDMADE AND DELICATELY MADE.
Skilful Craftsman Zhai Yi Yao 翟一耀 has officially joined up with Craftsman Wang Xing and us taking care of all the Zhu Ni Zi Sha Works from June 2024 onwards! He starts off with both his Xi Shi and Li XIng for us. Zhai Yi Yao and Wang Xing are former course mates for three years at the ZiSha school. He is one with us, working alongside his long time friend Craftsman Wang Xing.
Craftsman Zhai also conscientiously sculpted a 手推内球孔 Hand-Pushed Spherical Filter to increase the number of filter holes for a solid and fast pour of tea out, working with the largish diameter spout; and with better catching of tea leaves at the bottom fast while allowing tea to flow out from the upper holes.
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Note on our TRUE Fully-Handmade Zhu Ni pots from RealZiSha: NOT those thick-/irregular-thickness-walled ones which are actually fake "Fully-handmade ZhuNi pots" utilising the cheating new technology: "车一刀 Che Yi Dao": Such ZhuNi pots utilizing Che Yi Dao process, have been sprouting up in the market since early 2022. Che Yi Dao involves a swivelling-rotational cutter that goes around a roughly-finished ZhuNi pot to cut the outer surface into a perfect shape. This cutter obliviates the need of accomplished skill of a true Fully-Handmaking Craftsman. Obviously, Che Yi Dao also absolves the need of a skilled FHM Craftsman to 1)pound the slab into a careful thin-slab, 2)paddle-pat the slab into a uniform shape purely manually.
In the utilisation of Che Yi Dao cutter, the worker will just need to 1) roughly pound the slab into a slightly thicker slab. After that the worker rounds up this slab as part of the main body, and will just 2)need to ROUGHLY paddle-pat it into shape. After which he sets up the Che Yi Dao cutter to revolve and cut the body into a perfect shape.
Of course, rest assured here, and avoid the ubiquitous fake jigger-machined fake "Xiao Mei Yao Zhu Ni", "Zhao Zhuang Zhu Ni", "Zhu Ni Da Hong Pao", etc pots all around sold in a multitude of places, sites, platforms, apps.
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We truly admire Craftsman Zhai Yi Yao's guile to bring his skills all to us. Let us all help him along and adopt his works as well. Kind and diligent, we all love Craftsman Zhai. He thanks you dearest Friends for your kindest support of his Art!
Li Xing 梨形 is one of the most lovely Austere shapes which XiaoMeiYao is made into! A highly limited run here as well as our recent Fang Gu, Xi Shi, Pan Hu, Ming Lu, Shui Ping and JingZhou ShiPiao models. We hope you friends have loved all of them!
Li Xing 梨形 exudes the Aura of Chinese Orientalism, 2)for a narrowing top ZiSha model, it has a wider opening than Si Ting for better ease of introducing tea leaves and washing after steeping, 3)has a sharp-ish spout for decisive cutting of flow, and 4)has a slightly raised lid that stores a column of air above the tea water level when the lid is closed, so that during the initial first moment of pour with that few degrees of tilt, tea water flows out decisively and easily right from the start.
Crafted at ~180ml to cater for our tea friends who want a small ZhuNi pot for Gung Fu tea steepings, and suitable for one to two persons.
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Hold one, hold up one, swing the work around. Carefully examine his Fully-Handmade work. Look at it from afar, from near, and it will grow on you, with fine detailing with MUCH THOUGHT on each part, with MUCH TIME spent on every part, section. Because this is what Fully-Handmade ZiSha Art should be, and HOW FULLY-HANDMADE ZISHA ART is so different from and light years ahead of the ubiquitous jigger-machined pots and half-handmade pots masquerading under the sales tagline of "fully-handmade zisha" pots. These latter JM/HHM pots are made in what we call 流水线 a.k.a. 'Factory-Line operation' whereby the main pot body after being jigger-machined or coming off from the mould, is passed to the next worker who fits on the spout, and subsequently this second worker will pass the pot on to another worker who will in turn fit on the handle. Continuing so, the pressed lid is likewise passed to another worker who fit on the lid knob. EACH WORKER has NO IDEA what the other one is doing, and they are always working on fixed time lines stated by the boss. For example, the worker being "passed the baton" a pot with the spout just fixed onto the body by his colleague, will only focus on fixing on the handle, with nil to little regard to WHETHER THE HANDLE fixed on will be cohesive with the spout. Each worker has NO idea of HOW THE FINAL POT WILL LOOK LIKE. Beyond poor craftsmanship and clay, the result of such processes are ugly pots with poor cohesiveness which experienced Artists, Craftsmen and collectors will tell from a metre away. Experienced people in us, do not need to pick up a pot to check whether it is fully-handmade or made of zisha, we can tell from a metre away just by looking at the pot.
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The keywords are: Detailing and Cohesiveness.
A GOOD Fully-Handmade ZiSha Work combines great detailing and cohesiveness.
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(Dear Friends, during the photo-taking process, five to six separate spotlights above and around, are used. Looking at the photos, the collar-rim of the lid-body interface thus shows the various spotlights' reflection. You will therefore see 2 to 3 scattered brighter spots around the collar-rim. Some friends had asked before, "is the rim-collar having any irregularity in circularity?". Thus, rest assured. Do not misconstrue the two to three brighter spots around the lid-body rim collar to mean any irregularity in circularity of the rim-collar.
Yes, the rim-collars of all these ZiSha works crafted by our Craftsmen ARE REGULAR in CIRCULARITY :-D, and you can rest assured. Thank you Friends.)
