《湘妃竹段》Xiang Fei Zhu Duan,
Crafted by L4 Assoc Master Yu Chun Lei 俞春雷。
Yu Chun Lei specialises in Bamboo Sections and here presents his latest 湘妃竹段 "Xiang Fei Zhu Duan".
湘妃竹 Xiang Fei Zhu is a type of Bamboo significant in our Chinese culture, stemming from its growth in several provinces Hunan 湖南, Henan 河南 and Zhejiang 浙江。 It is known for its characteristic and natural circular patterns and is popularised in ornamental works.


Assoc Master Yu created this design and aced it, brilliantly!
The Xiang Fei Zhu Duan!
《湘妃竹段》
As an Expert in the Zhu Duan, he ups the ante by crafting a svelte and ever-so-slightly slim body with the beautifully concaved walls. Two tastefully feature lines, straight and neat, are carved near the top and likewise at the bottom. Assoc Master Yu rounds out the bottom with a purposeful round foot 明足. Small details, but he says all these needed to imbue this design with a subtly raised yet hugely elegant and stately air. A top delight to use!

Master Yu also crafted in the Qian Gai interface confidently


The beautifully crafted Ornate lid knob functions excellently as one grips easily with robust grip!


Assoc Master Yu's great work deserves a close look and our admiration,



He carries on his stellar skills to both the spout and handle.
The eyes are guided easily to how the handle sprouts confidently from the rear upper end,

and confidently kinks organically downwards, and then executes the sweep and bifurcation, with the end closer to the Tea Master (right-handed) flourishing flamboyantly with much detailing across the wall. Extremely detailed work. Three cheers to Master Yu!




Every part, carefully worked and detailed,




Assoc Master exerts his immense skills into the front spout, exhibiting immense presence being the centre of attention of the guests during the pour,




Congratulations to the fortunate Tea Master owner of this stellar work by Assoc Master Yu! He thanks you for appreciating his hard work and dedication to the cause. Once purchased, unique 5rmb cash note will be allocated and written in to secure and authenticate your purchase with RealZiSha and Assoc Master Yu Chun Lei。
After receipt of this work, do catch up with us and we will arrange a video Streamyard call, as Master Yu will thank you and authenticate your acquisition from
https://www.realzisha.com/collections/%E4%BF%9E%E6%98%A5%E9%9B%B7-yu-chun-lei-l4-associate-master-artist
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Also to be cherished and witnessed in this ZiSha Work, you : besides the usual important, critical and beautiful hallmarks of a Fully-Handmade ZiSha pot, this pot has the discontinuous and roughly horizontal marks evident on the inner walls, and these are called the: 泥凳纹 Ni Deng Wen, which are the marks left on the clay slab, complementary to the marks on the workbench of the Craftsman Zhang Huan; During the making of FHM ZiSha pots, the Craftsladies and Craftsmen will be using tools to cut the clay slabs, etc, and these cutting strokes will leave marks on the studio workbench. Especially the first major forceful cut across the table to delineate the clay she/he wants to utilize to form the main body of the body. Thus when the craftsman subsequently pound the clay slab on the workbench, these marks will be etched onto the clay slab. Thus you are "enjoying" the additional natural hallmarks of a Fully-Handmade pot. Even a partially handmade pot will not show these marks. And those fake, those Jigger-machined pots may show CONCENTRIC continuous circular lines, usually all parallel to one another, and extremely uniform.
Take note that these Ni Deng Wen lines are CONVEX AND PROTRUDING OUTWARDS from the flat clay slab wall, not marked inwards. They protrude *out* due to them being complementary to the worn and cut *in* lines on the wooden bench the Craftsman is working on.
Therefore, do cherish and have fun admiring the discontinuous, roughly horizontal lines on your pot's inner walls, are called, the 泥凳纹 Ni Deng Wen "Workbench Lines/Marks"
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